At 15, Divya had given up school books to listen to story narrations. At 16, the super-hit Bobbili Raja made her a superstar of Telugu cinema. At 18, in 1992, as the ‘Saat samundar’ girl in Vishwatma and the cancer-stricken protagonist in Dil Ka Kya Kasoor, had audiences warming to her innocent vibe. Pehlaj Nihalani’s hit Shola Aur Shabnam (all the above released on three consecutive Fridays, the first for an actress) followed the two. Raj Kanwar’s Deewana (who can forget her exuberance in Aisi deewangi or her torment as a widow) and Hema Malini’s Dil Aashna Hai, were catalysts in her bagging the Filmfare Best Face of the Year Award.
A dozen projects made her the highest paid actress... and then she fell to her death on April 5, 1993. It’s with great trepidation that I call up Divya’s parents, Om Prakash and Mita Bharti, fearing that I’d be treading on a painful premise. The meeting leaves me both shocked and surprised. Shocked that the once robust Mita Bharti is today a shadow of her former self (she’s lost 25 kilos). And surprised at the warmth and respect the Bhartis have for Divya’s producer-husband Sajid Nadiadwala and his second wife Wardha, contrary to the cloud that hung over him after Divya’s death.
The suburban apartment is free of flamboyant frames eulogising Divya. “I don’t believe in natak (drama),” is Om’s stoic response. Mother Mita is however more fluid in her emotions. “People worship the rising sun but you’ve cared to remember an extinguished lamp,” she says. “Even after 20 years, people ask me, ‘What exactly happened that night? Was it an accident or murder? For them it’s curiosity but it takes me back 20 years. I sink into a depression once again. I tell them, ‘I know as much as you do. The rest only Divya and God know’, ” she says moist-eyed.
DIVYA – THE DOLL
Divya was a loving child says Mita. “Whenever I bought her a new dress or toy, she’d insist that I get them for her cousins, my brother’s girls. She’d address her younger brother Kunal (Bharti) as bhaiyya,” she says. “She was a lovely child. Once, I made Divya sit in the front seat of my car, while I was putting things in the dickey. On spotting her, a man asked, ‘Where did you get this doll?’ I said she’s not a doll. He even opened the car door to check.” Mita continues, “She wasn’t fond of studying. Out of 10 subjects, she’d fail in nine. Once she told me, ‘Please read out my lessons’. I began reading only to find that she was standing in front of the mirror and mimicking Sridevi’s Ta thaiya ta thaiya ho (Himmatwala)!”
MISS AND HIT
“When she was in the ninth standard she was approached by Kirti Kumar (Govinda’s producer brother) for Radha Ka Sangam. She stopped going to school as she had to learn dance, acting and classical singing.” Divya was fun-loving and enjoyed going for long drives and hanging around with friends. This upset Kirti who wanted to keep his heroine under wraps says Mita. “They had a tiff and suddenly we got to know that they’d signed Juhi Chawla.” But soon Boney Kapoor was scouting for a new face for Prem and showed interest in Divya. However, she was replaced by Tabu. The third time round it was Subhash Ghai who wanted her for Saudagar but the role went to Manisha Koirala. The hat-trick of rejections upset young Divya and Mita took her for a holiday to Kashmir.
But the mother-daughter had to cut short their vacation as well-known South producer D Rama Naidu had come to Mumbai for a narration. “Divya, who was by now quite disinterested in films, kept dozing through the story session. Rama Naidu asked us if we could leave with him for Hyderabad that evening. Divya agreed just for a lark,” recalls Mita. The film was the super hit Bobbili Raja (1990).
Back home Rajiv Rai wanted to sign Divya for Vishwatma. Says the mother, “As signing amount Divya just wanted a ‘Rs 500 Gandhiji note’. Rajiv was taken up with her innocence.’’
The film gave her the chartbuster Saat samundar. “While Ayesha Jhulka and Pooja Bhatt came in with her, she reached the top league of Sridevi and Madhuri Dixit. While she resembled Sridevi, she never copied her. After pack-up she’d happily slip in T-shirt and jeans. She didn’t care for glamour.”
The top-billed star was bindaas. “Once they had a birthday party for her at China Garden. After the party, she stood on the bonnet and started dancing. Sajid asked her to step down wondering what people would say. But Govinda said, ‘This is what enjoying life means’. Mita adds, “She’d talk in her inimitable style, ‘Chalna yaar, jane de na yaar… hansti rehti thi (she was friendly to all and laughed a lot)’.” There were several stories about her pranks on the sets.
“One day she scratched Shah Rukh Khan on the sets of Dil Aashna Hai. His secretary called up to say that Shah Rukh wouldn’t work with her. But later, Shah Rukh said, ‘I said this just to scare her. She’s a bachhi (child)’.”
LOVE & MARRIAGE
In keeping with her emotional nature Divya fell in love young. Her marriage to Sajid (1992) was fraught with conjectures. “I knew she was married. Youth is like behta paani (flowing water). I’d never have been able to stop her. I supported her so that she’d continue confiding in me and wouldn’t head in another direction,” reveals Mita. “They must have had normal tiffs. Sajid and Divya were only together for eight months. Where did they have the time to enjoy life?” Mita insists her daughter was conventional at heart. “She was not ambitious. Her aim in life was to marry and have children. She’d joke, ‘I’ll throw my kids in your lap and go to work’.”
TRYST WITH TRAGEDY
Mita regrets she wasn’t around Divya on April 5, 1993, the day she died. “I had been to my brother’s house and from there had gone to play cards. I didn’t know Divya had returned to Mumbai from Madras. They say maut khinch laati hai (death pulls you).” She scrolls through Divya’s last day. “That day she got a beauty treatment done and then went to see an apartment with my husband Omji and son Kunal in Bandra. She was told, ‘After you return from Mauritius, you’ll get the keys’. She started dancing on the street. She wanted the house for get-togethers. She spent the evening with our former neighbours in Pali Hill when Sajid called her saying that Neeta Lulla (costume designer) had come home to discuss costumes. Kunal dropped Divya at Sajid’s house in Tulsi Apartments, Versova.” Kunal had just reached home when the family received a call that Divya had fallen from the 5th floor.
Mita continues,“I never asked Neeta and Shyam Lulla (Neeta’s psychiatrist husband who was present with her in Divya’s home) what happened that night. It would pain me all the more. What’s gone is gone. Reportedly, Neeta said she and Shyam were watching TV when Divya went to the balcony. She must have sat on the ledge, lost her balance and fallen. Our maid Amrita (she had been with Divya since her birth) was in the kitchen then. I don’t blame anyone, it was destiny.” Incidentally, Amrita, unable to bear the loss, died of a heart attack within a month.
THE AFTERMATH
Mita had to muster courage to face the after effects. “Omji had hysterical fits. He was tied to a cot in the hospital. The dilemma then was whether she should be cremated or buried. Sajid was not in his senses and had frequent fainting spells. Then some senior persons of the industry advised that she be cremated. Divya died on April 5. She was cremated on April 7.” Mita continues, “After a few days when Omji overcame the shock, I took him to the place where Divya had fallen from and where she was cremated.” Mita, who had internalised her pain, underwent the 10 ‘worst years’ of her life after that. “I went into heavy depression. It was in 2003, when her son Kunal got married that he pleaded, ‘Don’t I mean anything to you? Hamare liye wapas aajao (return for our sake)’. So after many years, I wore a piece of jewellery for his wedding.” She says with resolve, “I keep myself busy. I swim, I walk, I meditate. I see Divya in my granddaughter Alika. Divya loved Siddhi Vinayak modaks. My granddaughter also loves them. Every morning, I go to Siddhi Vinayak Temple. I take a bus to the temple though I can go in a car.”
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Earlier, says Mita, she often saw Divya in her dreams. “On days when I had to wake up early Divya would appear in my dream and wake me up.” She adds, “Wardha (Sajid Nadiadwala’s second wife) says Divya often appeared in her dreams. She’d see Divya on one side of Sajid while she was on the other. But after about six years of their marriage, Divya stopped appearing.” She adds, “Wardha respects Divya a lot. She calls me ‘Mummy’ and Omji ‘Daddy’. She decorated Kunal’s room for his wedding, just as Divya would have. When our granddaughter was born, she got her everything from napkins to the cradle.”
Sajid and his mother Saba observe Divya’s death barsi (anniversary) every year. “Sajid’s mother is a loving and chatpati (lively) personality. Divya loved her very much. On Saba’s birthday she’d put cake all over her face and lick it.”
Mita has no regrets about Divya joining showbiz. “She lived as much she was destined to. She gave us all she could. Perhaps, she repaid a debt. Once she randomly said, ‘Daddy, give all that I have to bhaiyya’. We don’t want to cry and give her pain. When tears well up in my eyes, I control myself.”
ALSO READ: All About Divya Bharti
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